Disney's Sebastian Party Gras !

Disney's Sebastian Party Gras !
The celebration continues-Caribbean style- and every day is Party Gras! You can dance and sing the day away to IKO IKO. LIMBO ROCK and all your island favorites. Featuring cool calypso and reggae sounds from the sandy shores of the caribbean


Disney Princess Tea Party: Elise
Personalized for Elise

Hear the Disney Princesses sing and speak to Elise over 60 times throughout this one of a kind CD. It will be an instant hit with Elise that she will listen to over and over. Watch her face light up as she hears her name sung and spoken by the original Disney Princess cast. Elise will join each of the Disney Princesses as they prepare for a Princess Tea Party. Each princess will personally coach Elise through getting dressed and using proper etiquette, and Elise will receive a personal invitation to the castle to join all the Disney Princesses at their Princess Tea Party!
Customer Review: cute, but there aren't 17 songs
before each song there is a princess talking (about 30 seconds), so there are really only 8 songs. the songs are all very cute though.


The Aristocats (Disney Gold Classic Collection)
Duchess and her three kittens are enjoying the high life with their devoted human mistress until the wicked butler Edgar, with his eyes on a big inheritance, decides to dope them and get them out of the picture. How can these fragile creatures cope in the unfamiliar countryside and the meaner streets of Paris? Only by meeting the irrepressible alley cat O'Malley, a rough diamond with romance in his heart. After they get a taste of the wide dangerous world, he guides them home, and Edgar gets his just desserts at the wrong end of a horse. As always, it's really the voices rather than the animation that are the heart of the Disney magic: Phil Harris is brilliant as O'Malley, Eva Gabor as Duchess is... well... Eva Gabor; but perhaps the most memorable turns are by Pat Buttram and George Lindsay, who turn the old hounds Napoleon and Lafayette into a couple of bumbling Southern-fried rednecks. Their scenes with Edgar, and the musical numbers with Scat Cat and his cool-dude band, are classic. Most striking about seeing The Aristocats now is how deeply Disney's style of animation has changed since this was at the cutting edge in 1970. Perhaps the nostalgic, dated feel are just a result of being plonked down in Belle Epoque Paris, but the illustrations are fussier (a pity) and the animation and overall pace much less frenetic (sometimes a relief) than in more recent efforts such as Aladdin. --Richard Farr
Customer Review: O'Malley Almost Ballou It
Why do some rich, childless women leave their entire fortunes to pets--cats, in particular? The question can addle one's mind, even driving some to kidnapping and attempted murder. It completely freaked out Edgar, the much maligned butler in "The Aristocats," Disney's tribute not to cats, or the upper class--but to the jazz age. Edgar learns of his status in his boss's will by listening to a conversation through--what else?--a drain pipe in his tiny quarters. So that night he drugs the woman's four cats (Eva Gabor, really, and three illegitimate kittens) and drops them off in the country. There's no way they can find their way back, unless they meet Ballou the Bear or some other Phil Harris-esque figure--which, fortunately, they do. Harris is just as cool and charming as ever as the free-spirited Thomas O'Malley Cat. But instead of entering with the more charming, "Well it's a doobity doo, it's a doobity doo, I mean a dooby dooby dooby dooby doobity do," Ballou--I mean, O'Malley--sings a long, tiresome tribute to his lack of responsibility. To his credit, he almost immediately feels responsible for the stranded cat family in spite of their apparent lack of shortcomings, hijacking a milk truck headed for Paris and the aristocratic mansion where the woman is by now completely losing it. (Perhaps she should have made more effort to bond with humans, rather than pets. I'm not saying she deserved this, but people do set themselves up for tragedy, and then act completely shocked when the inevitable happens.) Later, they meet up with two spinster geese and their alcoholic uncle. Edgar, meanwhile, tries to retrieve his hat from two American Civil War throwback dogs that have somehow ended up in the French countryside. It's all just a prelude to the rocking finale, set in a flophouse full of O'Malley's neér-do-well friends, who live for jazz and just hanging out, Daddio. They're so laid back, so tolerant of different lifestyles--or so one might think, until the puzzling refrain of their catchy song: "A square with a horn makes you wish you weren't born every time he plays/With a square in the act, you can send music back to the caveman days." They go on to decree that only a select few--hepcats, specifically--should be allowed to play music at all. As if to hammer home the point, the "cats" launch into an inspired, raucous rocking jazz tirade that threatens to literally bring down the flophouse. It's the defining scene of the movie, really the only one worth waiting for, and it comes to a screeching halt when an emaciated, buck toothed, Asian-looking "cat" plays a piano solo with chopsticks and blurts: "Shanghai Hong Kong egg foo yung/Fortune cookie always wrong." What? Should we let our kids watch this movie? Well, it's hard to refuse them when you see them dancing through the house, singing, "Everybody/everybody/everybody wants to be a cat." Unfortunately, this movie is likely to make a parent identify more with the butler than with the hepcats.
Customer Review: LOVE THIS MOVIE, and do not like cats!
This animated Disney feature isn't in the same league as the studio's early masterpieces ("Snow White," "Pinocchio"), but it's still worth seeing. Set in Paris in 1910, the picture recounts the adventures of Duchess the cat and her three kittens, who are about to inherit the fortune of a wealthy opera singer. A jealous butler dumps the feline heirs out in the boondocks, and they try to find their way home with help from some amusing country cats. The animation of this era of Disney movies isn't as drop-dead gorgeous as that of the films that made the studio's reputation, but it's still hand-drawn work, and does its job as an engaging vehicle for fun characters and lively music. There's outstanding vocal work by Phil Harris, the drawling, folksy actor-singer who was a star in the big band and radio eras and did vocal work on several Disney features (he sang "The Bare Necessities" in "The Jungle Book"). Other voice talents represented are Eva Gabor, Sterling Holloway, Scatman Crothers (who sings the great song "Everybody Wants to Be a Cat"), Pat Buttram and Paul Winchell. The songs are by Disney stalwarts the Sherman Brothers, and Maurice Chevalier sings the title tune. Extras include a deleted song and a "Bath Day" short cartoon from 1946, starring Figaro the cat. "The Aristocats" was the last animated feature initiated by Walt Disney, who died in 1966. http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/02/10/PKO8UQI6H.DTL&type=movies